2011
acrylic on 4-ply board
15 1/4" x 19 1/4"
My series of unknown saints intend to remind the viewer that the image of God is in all people, even where we do not expect it. The almond shapes in the background of this painting are called mandorlas and are formed by the intersection of two circles. I think of it as representing the unification of opposites - of God and Man, of the divine and the human - the incarnation of God and the deification of Man. This shape usually envelopes Christ in icons at moments of theophany.
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